Check out one of the The Blowholes' new PR site:
View The Blowholes's EPK ¶ 4:29 PM 0 comments links to this post
Occasionally I see a pattern of interest for certain mp3 files downloaded from my site, but usually nothing dramatic. Until tonight.
Apparently, I'm big in Japan.
Once a year or so I look at my site's statistics provided by my host...it's usually the same deal over and over. Endless searches for trumpet fingering charts, lots of virtual trumpet links, surprisingly little action on my Real Trumpet offering (surprising to me because I feel Real Trumpet a more substantive and useful product), and of course only a smattering of evidence of interest in my songs, compositions and arrangements..except for the ones that have remotely provocotive names (e.g., Big Girl - yes, the "Live" version is number two on the most downloaded list for this site - gee, I wonder why? But Little Man - a song for my son - isn't even on the radar).
But apparently one of my cryptically named mp3 files (WIP.mp3) is being downloaded thousands and thousands of times - but why this one? Clearly, WIP means something interesting in Japanese. Wish I knew what. Bet I can guess. This I do know for sure: WIP is the title for my next Blowholes tune!
Obviously there's a perfectly reasonable explanation...I mean, no one is THAT interested in my work (ha! besides me)...are they? And it doesn't matter because writing music brings me great joy and satisfaction. Naturally there's a business side to this art and it's nice when there's interest in one's work. But why such interest in a rough demo of a song...intended for a very few to hear...a recorded version of a song I never got around to removing or renaming?!
Unfortunately, I'm pretty sure I know the truth, which is this: no one is actually listening to my song. The site is just a feeding ground for piranha-like appetites for free MP3s and WIP.mp3 just happens to correlate to something provacative in the English to Japanese translation. Dang! So okay, maybe I'm not so big in Japan after all - just digital fish food for the masses...oh well.
The song is real though...
I loved the tune when I wrote it and am still do; I like the shape, mood and lyrical intent - harmonically there are some interesting things happening too. Its harmonic underpinnings are rooted in Jazz but there's clearly a "pop" thing going on as well. It is understated with bits of sophistication and that's a nice space. The lyric is a poem to the past; to friends far and away now...to dreams...fantasy reflections, and if I'm honest, it's a song to the me of another when. I never got around to producing this song they way I still hear it... I wrote a little arrangement for a small group and we tried to perform it one night in the lobby of the Majestic Theatre in Corvallis for a benefit. Turns out I forgot to transpose the Alto Sax part when I printed the part (that was a "moment"), but I do recall performing it somehow. And at least one singer in the local area asked me for a lead sheet and permission to perform it, which of course I happily gave.
In the song's chorus there's a reference to Google (which, in addition to being a gianormous number, is a registered trademark). Wanting to be legit, I emailed their legal team asking for official permission to use the Google name in my song...I'm not certain I ever got a response, but at least I tried - so the lyric stands until they decide to sue me...sue me...what can ya do me? I won't hold my breath!
Finally and for the record (and especially for all my dear friends and fans in Japan, whoever you are) here's the lyric to Beautiful Moments, my penultimate work-in-progress or whatever WIP means in Japanese:
Beautiful Moments Words and music by Rob Birdwell
When the moon is out tonight
I will pause at the sight
And reflect on the times
We shared long ago
When the night lark is singing
I will sing right along
And try to recall
That old melody we wrote
I can Google your name
But I won't find a trace
Of those beautiful moments
From another time and place
I can hold my breath
Till I'm blue in the face
Still those beautiful moments
Are elusive as grace
When the sun is on the rise
I will rise up and shine
Slip inside my space suit
And fly far, far away
To Venus or to Mars
Either one will do
See the Earth from the other side
The other side of you
I can Google your name
But I won't find a trace
Of those beautiful moments
From another time and place
I can hold my breath
Till I'm blue in the face
Still those beautiful moments
Are elusive as grace
Thought I saw you in a passing car
Headed west on Hollywood Boulevard
What ever happened to old you-know-who?
Yea times are pretty strange now,
Whatcha gunna do?
When the moon is out tonight
I will pause at the sight
And reflect on the times
We shared long ago
When the night lark is singing
I will sing right along
And try to recall
That old melody we wrote
I can Google your name
But I won't find a trace
Of those beautiful moments
From another time and place
I can hold my breath
Till I'm blue in the face
Still those beautiful moments
Are elusive as grace
I can search for your name
But I won't find a trace
Of those beautiful moments
From another time and place
I can hold my breath
Till I'm blue in the face
Still those beautiful moments
Are elusive as grace
(c) Copyright 2003-2005 Rob Birdwell / BirdwellMusic.com
All rights reserved...even in Japan. ¶ 8:42 PM 0 comments links to this post
Ever want to study the score(s) of active (working) composers, arrangers...people who are writing and working with some of the best musicians in the world? Well, I sure do! And now anyone can. I should mention that there's usually a fee involved - but the fees scale; in other words, there's usually something for everyone and the fees (per artist) are reasonable and well worth it in my opinion.
I've been particularly inspired by Maria Schneider's site and her artistshare offerings - her lectures share insights into her various approaches to composing and arranging, which range from a sometimes whimsical approach (free flowing, uninhibited, dreamy) to her ability to articulate the nuts and bolts behind the inspiration, and analyze and evolve those musical nuggets into musical creations that are simply top drawer! ¶ 12:13 PM 0 comments links to this post
Thanks to everyone who donated to the humanitarian relief effort at Bombs Away (Corvallis, Oregon) last night (Thursday, September 1). The XTET performed and John Bliss took the lead for the collection effort and did a terrific job! When we completed our evening of Jazz the total donations were $257 in cash and checks. And the donations didn't stop there as John reported even more the next morning. Every penny donated will go to the American Red Cross to assist in efforts to help the people who need it for the hurricane relief effort.
The XTET performed many tunes that we ordinarily perform (Jazz standards and some originals) but under the circumstances we wanted to pay tribute somehow, some way...so as it turns out, many tunes took on our own somewhat limited take on a "New Orleans" flavored sound. We opened with a blues - that much I do recall. Did some Ellington. There were Cajun rhythms throughout tunes that don't normally have them. I cried (or tried to) with my plunger and did my best Sachmo imitation with a straight mute. We even played "When The Saints Go Marching In" which was preceded by freely improvised and mournful intro - if nothing else, the offering was sincere and we tried to do what we could in one of the ways we love - making music. Only a smattering of folks heard us - but what folks they are!
At one point I was asked (casually) to say something about New Orleans...well, I honestly didn't know where to begin or what to say. What could I have said? I've never visited the city, but always wanted to. Only in books, articles, movies and music do I know of that land. But what a fascinating place - and what an amazing history, not just for Jazz and music, but for all of humanity. Maybe I could have shared a silly adolescent dream...
I've always dreamed of visiting New Orleans, to be able to leisurely see the sights, meet the people, learn the history from the residents themselves, enjoy the food...and maybe best of all, take in some of the wonderful music...my dream goes so far as to imagine myself joining in on some jam sessions, and actually holding my own....only to have Wynton himself join in - he'd slap me on the back and say, "not bad, not bad..." - then he'd slyly whisper something like "but you best keep on workin' in that shed - still a ways to go yet!" - but we'd laugh and get on great. He'd blow everyone away and it would be a blast. So many stories and experiences would be shared - so many new friends...my silly little New Orleans dream.
[And here I choose to edit out some of my various "reality" ramblings - there was something about day-late presidential photo-ops...a need for basics and simply doing the right thing at the right time...but I'm not sure I can articulate anything that is close to coherent at this hour - perhaps another time - the Major of New Orleans (C. Ray Nagin) seemed to sum it all up very well.]
When I heard Wynton Marsalis was performing (along with many other fine artists) on a tribute (NBC) I tuned in. I had my trumpet in hand but it didn't touch my lips since I was pretty much in awe of the power of what was being said - and what I know Wynton was saying to the world. Could anyone else hear what he was saying? I heard it tonight. It was unmistakable.
Also performing: Harry Connick Jr. (what a performer! must buy more of his stuff!) Aaron Neville (very moving!), Faith Hill, Tim McGraw and other backing musicians - well done!
Labels: xtet
¶ 11:43 PM 0 comments links to this post
