We did it! Here's my own sharing of the show,
how it came to be, and the performance:
First of all, it was a true pleasure to once again be the guest
conductor of the Corvallis-OSU Symphony - it's something I indeed
Here were the details of the concert itself:
What: Halie Loren with the Corvallis-OSU
When: Friday, March 9 2012, 8PM
Stewart Center, OSU Campus, Corvallis, Oregon
Tickets: Reserved advance tickets: $20, $30,
$40. Available at COSUsymphony.org,Grass Roots
Books & Music, and Gracewinds Music.
This was a special performance featuring internationally
acclaimed jazz singer and songwriter (and Corvallis native)
Halie Loren with the orchestra. Rob
Birdwell served as the guest conductor.
Proceeds from the concert benefited the Corvallis-OSU
Symphony Society Student Musician Scholarship Fund. make a donation »
ABOUT HALIE LOREN...
"With a vocal sound and approach that will remind you of some
of the greatest jazz-pop singers of all time, Halie Loren is one of
those unique artists who can make any song sound like she
wrote it. And of course, she just may have!" Rob Birdwell
- They Oughta Write a Song
- Blue Skies
- Whiter Shade of Pale
- My One and Only Love
- Fly Me to the Moon (small group)
- Danger in Loving You
- Waiting in Vain
- C'est Si Bon
- From the Mouths of Babes
- After Dark
- La Vie en Rose
- A Woman's Way
- In Time
- Feeling Good
- Encore: What A Wonderful World
How The Show Came To Be
August of 2011, I still had no clue what the pops concert for 2012
would be. Marlan Carlso said after the success of the Botti
concert that we'd simply have to follow up with something in 2012.
There was talk about Arturo Sandoval (no complaints here!)
and I think there were other ideas floating around. But by
late August 2011 there was nothing set as far as I knew. As
fate would have it, I was given a Halie Loren press kit back in
March of 2011 - it never reached me personally until July or August
2011 though! As I listened to the tracks (After Dark and
other tunes) I was amazed that I'd never heard of this artist...so
I did some of my own research.
Turned out Halie and Matt were playing
a gig in Corvallis in August, so I was able to get in touch and
mention I'd be there. Naturally, being a musician, I was very
interested in the possibilities of playing along - and at Enoteca
that August I got a chance to hear Halie and Matt performing as a
duo - a very compelling and professional sound even with all the
"bar clatter." When Halie invited me up (and to her credit,
she didn't have a clue really who I was!) she asked what we could
play - I suggested "How Should I Know" - a tune from her "They
Oughta Write A Song" CD release - it's a song she co-wrote and one
that sounded like a standard to me. I can't recall what I
played (just the usual horn backing under a vocalist thing) but
Halie must have liked something because we played at least one
other - and I think it was Sway...that one was fun although I
wasn't as immediately familar with the chord changes so I was
fishing for a two or four chord that simply wasn't there! (Story of
my life!) But it was a nice night and it was nice to make
some new musical friends. I said to my wife (Christel) on the
way home that night that I wish I could get a second shot at that
Flash to late September 2011 - Halie,
Matt and the band are almost done tracking their next CD "Heart
First" - they're told by their record company that they need the
mastered tracks by mid October - not mid December as they thought.
So I get a call on a Wed. night (I know it was Wed. because I
had to awaken early on Thursday morning) from Matt & Halie
asking if I wanted to play some horn on a track - looks like I was
going to get that second shot, as the tune was Sway!
So I go into their studio (it's very nice) and there's Halie at
the board, Matt is there too and Larry is helping set up mics.
We spent a few minutes testing out the differences between
various mics and finally settle on an inexpensive ribbon - it just
sounded best with my Flugel and Trumpet. It was a very fun
and low pressure session. Ended up playing not only on Sway
(either Halie or Matt had the idea for a little instrumental intro
which I was all too happy to play on!), but on 2 others:
Lotta Love (sort of a Burt Bacharach thing as far as the
Flugel part) and C'est Si Bon where I added some muted trumpet
backings. Driving home that night I felt great - Halie and
Matt were so hands on in the studio (and I can relate!) and from
listening to their previous work I knew they'd be able to mix it
all up in a very musical way - and boy did they. Heart First
is really a fine CD!
And so long story,
short (or even longer) I felt there was a strong case to propose
Halie and band as being the featured pops concert group.
There was an attempt at getting an opening act, but that sort
of didn't work out this time (maybe another day!!) - and so then
all that remained was to plan on a 5 month development cycle to get
the charts ready.
Matt Treder (Halie's long-time music director and collaborator)
took on the daunting task of adapting his combo arrangements for
the orchestra - no easy job folks! I contributed arrangements
for Sway, Feeling Good and After Dark...Matt actually had a good
start on the string parts for After Dark - we talked about
expanding it to add winds and brass and with all that was on Matt's
plate it seemed like a good one for me to just run with a full
orchestral treatment...so I did. I think Matt and I both
learned a ton throughout the experience. I even learned
Sibelius as it was useful for score review, but I'm probably still
a Finale guy for the forseeable future.
Finally I'll just close here with saying that every orchestral
collaboration is unique and offers a new set of challenges.
For Halie Loren, an aclaimed jazz/pop performer and
singer-songwriter, getting to hear her work with the backing of an
orchestra was a dream come true - but it was also wonderful for all
of us involved. It's just not every day that the right combination
of talent and opportunity come along. But when they do, it's
good to be prepared.
Okay - enough said (or I'll edit and add more later!). Now
I must get back to practicing and writing some new music. I'm
not sure, but I suspect there's something around the corner...maybe
not soon, but it's coming; and I'm not nearly prepared for it...but
I hope to be!
(vocals), Matt Treder (piano/arranger),
Mark Schneider (bass), Brian West
(drums), Bill Marsh (guitar), Rob Birdwell
(conductor/arranger/flugelhorn), The Corvallis-OSU
Sound Design: George Relles
Lighting Design: Kelly Baum
And special thanks to my dear family for their support, Halie
and her A+ management team (Lynn, Shelia, Larry), the Corvallis
Symphony Board, Marlan Carlson, the LaSells Stewart Center staff,
and the multitude of volunteers, all of our good friends and
supporters, and everyone who came to see the live show!
Thank you all!
"Here's to the next one!"